Friday, 30 October 2015

RED SWAN - SWAN II - SILENT AUCTION

SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as much as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 

LOT 28
SWAN II
Part of my special holiday SILENT AUCTION
10" x 8" Canvas Panel
Starting Bid $20


LOT 27
RED SWAN
Part of my special holiday SILENT AUCTION
10" x 8" Canvas Panel
Starting Bid $20



LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat.  

Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email me or comment here and quote Lot 44.

Thursday, 29 October 2015

FAMOUS ARTIST BIRTHDAY - ALFRED SISLEY

The Line of Poplars at Moret sure Loing - Alfred Sisley

Alfred Sisley (October 30, 1839 – January 29, 1899)
He was an impressionist painter born in Paris to British parents. He lived and worked in France, particularly on landscapes.

More on Alfred Sisley at Wikipedia

Study the paintings of Alfred Sisley
 
I remember when I was studying Art History years ago I had a period where I adored Alfred Sisley. I was awestruck by his trees. Trees are so difficult to paint and I truly admire anyone that can paint them in a convincing way.

In these three paintings just look at all that colour in the leaves of the trees above and those delicate branches in glowing yellow below. His mastery of the tree can be marveled at in the bottom painting where he has given each type of tree a different treatment and each separate tree it's own character. I believe if you long to become a great landscape painter you would gain a great deal from studying Sisleys trees.

Small Meadows in Spring - Alfred Sisley


Pathway at Les Sablons - Alfred Sisley

FIELDS OF GOLD
by Sea Dean
4" x 6" Canvas Panel



I have nothing in my personal catalogue which comes close to the delicacy of Sisley's landscapes, but in one of my favourite semi-abstracts FIELDS OF GOLD, I was working with the same principals of light, colour and movement. This is one of my paintings that one day I would like to paint large.



Wednesday, 28 October 2015

ANGEL I - SILENT AUCTION

SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as much as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 

LOT 10
ANGEL I
Part of my special holiday SILENT AUCTION
10" x 8" Canvas Panel
Starting Bid $15 



LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat.  

Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email me or comment here and quote Lot 44.

Tuesday, 27 October 2015

BUTTER UP BUTTERCUP - SILENT AUCTION

SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as much as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 

LOT 20
BUTTERUP BUTTERCUP

Part of my special holiday SILENT AUCTION
7" x 5" Canvas Panel
Starting Bid $15 



LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat.  

Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email me or comment here and quote Lot 44.

Monday, 26 October 2015

AN APPLE A DAY - SILENT AUCTION

SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as much as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 

LOT 35
AN APPLE A DAY
Part of my special holiday SILENT AUCTION
6" x 6" Canvas Panel
Starting Bid $15 



LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat.  

Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email me or comment here and quote Lot 44.

Sunday, 25 October 2015

BURGUNDY TREE - SILENT AUCTION

SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as much as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 

LOT 24
BURGUNDY TREES

Part of my special holiday SILENT AUCTION
7" x 5" Canvas Panel
Starting Bid $15 



LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat.  

Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email me or comment here and quote Lot 44.

Saturday, 24 October 2015

CHOCOLATE - SILENT AUCTION


SILENT AUCTION
My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as high as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Payment is with Cash or Paypal. 



LOT 4
CHOCOLATE
"CHOCOLATE" is part of my special holiday SILENT AUCTION
10" x 8" Canvas Panel
Starting Bid $25

LOT 44
LET IT FALL
by Alex Fong
8" x 6" Watercolour
14" x 11" double mat with original bio on the back
 

This pretty ALEX FONG PRINT "LET IT FALL" is also in the Silent Auction. Alex Fong is a household name in Canada and we are lucky that he lives in our area. Alex told me that this rare print features his own rescue cat. Prints are not allowed on Daily Paintworks so this item can only be viewed here. To bid, email or comment here and quote Lot 44.

Friday, 23 October 2015

THE POWER OF SERIES

FRENCH BLUE by Sea Dean


Presented in a soft white 8" x 10" mat with backing board and archival bag.

Recently I read a blog by Dream Tolle Perry entitled "Who are you working for?" It is accompanied by a provocative poem, which sent me into thought. Click here to read it. Dreama's poem got me thinking about why I started to paint and why I'm still fascinated by the experience. I'd be interested in your views on this and more later ...

I originally clicked on Dreama's blog to see a peer approach something I have also painted (above). Life moves so fast and although this is a recent painting, I was a different person when I painted this jug, so I"m able to see it with fresh eyes. I ask myself, "What inspired me to paint this jug? What was I trying to convey?" "What does the piece actually say?" Then "What is not evident that would inspire, motivate and excite a desire to own this painting?

Initially I wanted to create a peaceful food related still life. French country evokes a relaxed and happy feeling in me and I love the sense of history in the rust. I think I achieved  my goal, but how could I create more energy in another version? I would open the lid which would add angles to the composition and create curiosity about what it may contain. In another version I may intensify the blue of the jug and lighten and cool the tone of the creamy wall behind. In another version I may fill the jug with lavendar or blossom. That is the very reason an artist works in series, exploring different colours and lighting conditions, testing ideas and getting to know the subject matter.

Claude Monet and Vincent Van Gogh are two famous artists that loved to paint in series, continuing to develop their understanding of the subject matter. When you paint in series it not only gives an opportunity to learn, but offers the buyer many options. Some people love flowers, others love a certain colour or colour combination and others are attracted by an unusual viewpoint. Therefore painting in series gives both the artist and the art lover an opportunity to be inspired.

I think it unlikely that I will alter this painting, but I may very well paint more in the series and perhaps I will add a little of Dreama's blue to the mix.


Thursday, 22 October 2015

FAMOUS ARTIST BIRTHDAY - LAWREN HARRIS



LAWREN STEWART HARRIS, CC

(October 23, 1885 – January 29, 1970) was a Canadian painter born in Brantford, Ontario. He is best known as a member the Group of Seven who pioneered a distinctly Canadian painting style in the early twentieth century. A. Y. Jackson has been quoted as saying that Harris provided the stimulus for the Group of Seven.

During the 1920s, Harris's works became more abstract and simplified, especially his stark landscapes of the Canadian north and Arctic. He also stopped signing and dating his works so that people would judge his works on their own merit and not by the artist or when they were painted.

Shortly before his death he was made a Companion of the Order of Canada.

If you've read my blog and studied my work for a while, you will know my obsession with mountains and Lawren knew how to paint them. I love the Baffin Island paintings illustrated above. It is also an interesting collection because it shows just how different various images show the colours. To really know an artist's work you must see it in person.


Looking through my available catalog, the work which most echoes his style is

FALL MOUNTAIN
8" x 10" Wrap Canvas




The Group of Seven — Sometimes known as the Algonquin school — was a group of Canadian landscape painters from 1920 to 1933,
originally consisting of:-

Franklin Carmichael (1890–1945),
Lawren Harris (1885–1970),
A. Y. Jackson (1882–1972),
Frank Johnston (1888–1949),
Arthur Lismer (1885–1969),
J. E. H. MacDonald (1873–1932), and
Frederick Varley (1881–1969). Later,
A. J. Casson (1898–1992) was invited to join in 1926;
Edwin Holgate (1892–1977) became a member in 1930; and
LeMoine Fitzgerald (1890–1956) joined in 1932.
Two artists commonly associated with the group are

Tom Thomson (1877–1917)
Although he died before its official formation, Thomson had a significant influence on the group. In his essay "The Story of the Group of Seven", Lawren Harris wrote that Thomson was "a part of the movement before we pinned a label on it"; Thomson's paintings "The West Wind" and "The Jack Pine" are two of the group's most iconic pieces.

Emily Carr (1871–1945)
was also closely associated with the Group of Seven, though was never an official member. Believing that a distinct Canadian art could be developed through direct contact with nature, The Group of Seven is most famous for its paintings inspired by the Canadian landscape, and initiated the first major Canadian national art movement. The Group was succeeded by the Canadian Group of Painters in the 1930s, which did include female members.

Wednesday, 21 October 2015

LAMPLIGHT


A rendition of a Parisian street light in acrylic and ink.

Tuesday, 20 October 2015

DAWN TREES


Part of my ACEO series of Claude Monet like landscapes showing a scene at various times of day. This is a brilliant dawn.


Monday, 19 October 2015

CALLA BLUE



This semi-abstract floral comes with a soft white 8" x 10" mat.

Sunday, 18 October 2015

HOW DO I TELL IF A PAINTING IS OIL OR ACRYLIC?


Have you ever found an old painting in a junk shop and wondered if you can paint over it? I have. There are different ways to prepare a used canvas depending if the old paint is oil or acrylic and whether it has been finished with paintable or non-paintable varnish.

It's a time honoured tradition for the starving artist to use or reuse any surface available for their latest masterpiece, so here are some tips on determining the original medium.

1. If you are looking at a painting older than the first world war it is almost certainly oil. Acrylics didn't come into wide use until the latter half of the 20th century.

2. Does your painting have a dingy brown or yellowed look? If the painting is old this probably indicates varnish which is past its due date. Old oil paintings often hung in smokey, industrial, damp or hot areas which yellowed and cracked the varnish. Old varnish must be cleaned or removed before repainting. Sometimes you can strip smoke damage with damp cotton wool, but more often the old varnish needs to be removed completely or you will risk your painting peeling off as it dries and ages.

3. As they age oil paintings dry out and crack. A fine network of cracks all over the painting is a clear indication that you're looking at an oil painting. Dry acrylic paint is rubbery and smooth. As far as we know, acrylic paint doesn't crack with age or yellow with time.

4. Study the texture. Texture is difficult to achieve with unmodified acrylics. Acrylic paint shrinks and flattens as it dries. If gel or modelling paste is added it still doesn't look the same. Oil paint is naturally textured. Crisp brush strokes or thick texture, usually points towards oil paint.

5. Check the material on which the painting was created. Acrylic adheres to raw canvas and any porous or prepped non-porous base like glass. Oil paint degrades raw canvas so is generally used on gesso primed canvas. However, even acrylic artists often prefer primed canvas and some oil painters will paint on raw canvas regardless of the consequences.

6. Observe how the paint blends around the edges of objects. Oil paint dries slowly which allows the artist to go back over and blend. If you find soft edges in acrylic paintings they tend to be slightly stiff and forced. Acrylic paintings are more likely to have crisp edges around objects.

7. Note the quality of the color of the painting. Because oil blends easily the colors in oil paintings can be  murky, especially in the top layers. Acrylic paints retain a sharp, vibrant quality.

8. Although oil paint is often blended, if the artist wants to keep the colours separate it is much easier with oil. Acrylics tend to mingle with each other as they dry making it difficult to achieve a crisp colour separation within paint strokes. This is easier to see when the paint strokes are thick and buttery.

9. Think about the clarity of the paint. Oil tends to have a more translucent look allowing light to pass through to different layers below. Acrylics are often matt or opaque, absorbing rather than reflecting the light. Clever varnishing of acrylics can somewhat correct this but that is not common.


More about re-using canvases at another time.
Follow my blog so you don't miss my interesting tips and tricks.

Friday, 16 October 2015

DO WARM PAINTINGS SELL FASTER THAN COOL PAINTINGS?

EXUBRIUM by Sea Dean


I heard an experienced artist utter these words the other day and as usual it got me pondering. I think all artists like Picasso go through their "Blue Period" and I have times when I wallow in the ultramarine hues, but I have to admit that people do tend to buy "happy" paintings more than "moody" ones. The warm palette includes all colours, but slanted towards the warm tones.

Yellow ...
Cool - Cadmium Yellow Light or Lemon
Warm - Indian Yellow

Red ...
Cool - Crimson -
Warm - Cadmium Red Light

Blue ...
Cool - Ultramarine or Cobalt
Warm - Cerulean or Turquoise
VIOLET FRONDS by Sea Dean


I could go on but you get the gist. I think it's always a good idea to make tables with the brands of paint you use and separate them into warm and cool colours because this also has a great influence on your colour mixing. I use two stay-wet palettes, one with warm and one with cool colours so I don't mix them inadvertently.

I favour complimentary colours to make certain areas pop, so none of my paintings are completely warm or cool, but they are usually predominantly one or the other. Whether it is a landscape or an abstract the interplay between warm and cool can add a dynamic slant to your work.

Above you will see that EXUBRIUM is predominantly warm Cadmium Red Light and Turquoise, but I have used cool Purple and Lemon to add pizzazz. This painting is very red, which would be overpowering if it was a large painting, however framed and placed in a dark corner it works well.

In VIOLET FRONDS the predominant colour is Turquoise which is a warm blue, but the addition of cool Purple, Titanium and Zinc White have kept it icy looking and true to the frosty inspiration photo. Although hard to see, there are accents of warmer white and iridescence which prevent this painting appearing overly blue when viewed in room light.

What is your experience with warm and cool paintings. I would love to hear your views in comments.

Thursday, 15 October 2015

HAND PAINTED ORNAMENTS ON AUCTION


Some of my special collection tree ornaments are being auctioned in time for the holidays. Each ornament comes with a silky gold coloured ribbon to deck your tree or hang almost anywhere. See the series here.

Currently these are in the line up.

Triple Tree Ornament


Holiday Mansion Ornament

Wednesday, 14 October 2015

DO WINTER PAINTINGS SELL?

WINTER BARN ACEO
I think there is a common idea among artists that winter paintings don't sell. This subject came up in a conversation with a very prolific painter who makes an enviable income with his work. He categorically stated "winter paintings don't sell": He went on to list only two snowy paintings that had sold in the last year, one of a skier and one of snow laden pine trees. I remember that last year another artist I admire told me she had trouble selling her wintery works. On the other hand another artist friend has one winter view of a snow laden tree that she's painted and sold several versions of. This particular painting speaks to people and I love it too. On examination it also embodies the tips I mention below that I discovered by studying my sold winter scenes.

LAST RUN 5" x 7"

We live in an area famous for it's powder skiing and also famous for beautiful winter scenery, so it is very tempting to paint some of those beautiful pristine views covered in snow. With winter coming, I decided to check my snowy sales.

MOUNT ALBERT EDWARD 6" x 6"
I discovered that I had made sales and there was a common thread to the paintings. I look at hundreds of paintings every day on the internet and at exhibitions and the common theme I see in most winter paintings are cool colours, especially ultramarine blue, purple and titanium white. Another trait I see is lack of energy or dynamism. In the sold paintings here they have a quite different feel. WINTER BARN is at least 50% warm colours. LAST RUN is deep dynamic texture enhanced with gold and ocher light. MOUNT ALBERT EDWARD is again close to 50% warm blue and green with a very dramatic composition. MOUNT WASHINGTON is almost all warm tones, again with a dramatic style.

MOUNT WASHINGTON IN AFTERNOON SUN 6" x 8"
So perhaps the secret is not to be too literal with the cool shadows and skies and to emphasize energy with dramatic accents and compositions. I think this is good practice for any painting but it is particularly important if you want to paint a winter scene. Check below for more wintery paintings that are available.

View my online Gallery of large works and Limited Editions at ARTFINDER
View my online Gallery of small works at DAILY PAINTWORKS
Shop for Limited Edition ACEO and printed products here
Art Cards $5 and Art Postcards $3 here

Tuesday, 13 October 2015

THAT WHICH I SHOULD HAVE DONE I DID NOT DO

“That Which I Should Have Done I Did Not Do (The Door)” 

HOW I MET IVAN ALBRIGHT
The blog link above is from an artist I follow, Cindy Michaud.

I would be very interested in what you think of this painting and Magic Realism as a whole. Please read what I have said here and comment below.

When I'm studying a famous painting, I like to examine the complete work, taking into account the size and accordingly the impact of it's presence. I then zoom in and study detail and brushwork. I google to find different images and get various versions of the colour palette (many internet images are very poor in their representation of paintings).

I think it's important to get my own analysis and views down before I read those of another person. Then and only then, I read the impressions of other viewers and Art historians. I recommend trying the same process and I think you will find it an enriching experience.

More on "The Door"

More on Ivan Albright

I was thinking about doors and remembered that I have this lovely Tree Ornament with a decorated holiday door. It comes with a gold ribbon hanger. It certainly has a different feel the Albrights door. It is part of my Tree Ornament collection.


Monday, 12 October 2015

FAMOUS ARTISTS BIRTHDAY - PIERRE BONNARD

CLICK FOR SLIDESHOW

PIERRE BONNARD
Born 13 October 1867 at Fontenay-aux-Roses, France

He initially studied law, but in 1888 enrolled at the Ecole des Beaux-Arts, Academie with Julian with Maurice Denis, Paul Serusier, Paul Ranson and Edouard Vuillard. A member of the Nabis and influenced by Gaugin and later Monet.

1912 lived in Vernon near Giverny, France
1925 lived in Le Cannet near Cannes, France
23 January 1947 Died in Le Cannet, France
THE WINDOW by Pierre Bonnard 1925
When I think of the name Bonnard I instantly think of his nudes. However, his body of work seems cover a cross section of subjects from figure to landscape, to still life and beyond. He also played with colour. The painting above seems largely influenced by the colours of Monet, but his palettes are many and varied. Click through to the slide show to see how varied his work could be.

Overall, I would say Bonnard was an artist that liked to experiment, being excited by all the new ideas that surrounded him. His use of colour was largely impressionistic, as was his brushwork, but there is something beyond that. He tests perspective and form, showing flashes of Matisse and Gaugin in his figures. The painting above would be a very nice take on a landscape, but then he has added a rather primitive figure looking over the balcony which makes one question if this is a work by a great painter, or by a novice. Closer examination of the composition shows it's mastery.

ITALIAN HOLIDAY
by Sea Dean
8" x 6"



Thinking of my work this painting comes to mind, with the simply painted tourist making her way through streets heavy on perspective.

I love revisiting my paintings from a few seasons ago. Sometimes I have dismissed them because they are not in my regular genre, but that doesn't mean they are inferior.

In this painting I enjoy the warm colours which remind me of times I've played tourist in strange cities off the beaten track. I like the story this painting tells, shutters closed against the strong afternoon sun and the flower boxes eking out a tiny bit of territory in the big city And what is around that corner in the background, a busy shopping district, a fabulous cathedral, or a city park? Where is the traveler heading? Is she lost or taking a short cut? Is it you or a friend? You have the power to write that story.

Thanks to Leslie Saeta for providing the original photo for the painting.

Sunday, 11 October 2015

FAMOUS ARTIST BIRTHDAY - GUIDO MOLINARI


GUIDO MOLINARI, OC 
(October 12, 1933 – February 21, 2004)
A Canadian artist, known for his abstract paintings.

The work of Guido Molinari is eye-popping to say the least. Primary and secondary colours vie for attention in bold, "no holds barred" confrontation. Lines, swirls, splotches and squares rivet your eyes as you try to focus. Some works are so domineering that you are forced to take a step backwards to remove yourself from their power. I imagine that even a small painting from this artist would need a large space to contain it, being the perfect choice for corporate reception areas.

Molinari was born in Montreal of Italian heritage with parents from Cune (Borgo a Mozzano, Tuscany) and Naples, Campania. He began painting at age 13, and his existentialist approach to art was formed during a bout with tuberculosis at age 16, during which he read Nietzsche, Sartre, Piaget, and Camus. 

He studied at the École des Beaux-Arts de Montréal and the Montreal Museum of Fine Arts. He practised abstraction in New York, inspired by Barnett Newman, and Jackson Pollock, then returned to Montreal where he produced some of the finest pieces of his career. His work is known for its focus on modular and contrasting colours, shapes, and lines.

Works by Molinari along with those of Ulysse Comtois represented Canada at the 1968 Venice Biennale. He won a Guggenheim Fellowship in 1967, was made an Officer of the Order of Canada in 1971, and won the Prix Paul-Émile-Borduas in 1980.He was a member of the Royal Canadian Academy of Arts.

The work is exhibited worldwide, including the National Gallery of Canada, the Musée d'art contemporain de Montréal, and the Guggenheim Museum and Museum of Modern Art in New York. An avid art collector, his extensive private collection includes the work of Mondrian, Matisse, John Cage, Jasper Johns, and Quebec artists Denis Juneau, John Lyman, and Ozias Leduc.

So what of my own creations echo the powerful colour and thrust of a Molinari?
  


THE RIVER
16" x 6" Wrap Canvas

Available here







ROSE SORBET
6" x 6" Wrap Canvas
Available here




 




THE BIRTHPLACE OF CIVILIZATION
6" x 6" Wrap Canvas
Currently on sale by Silent Auction here

Saturday, 10 October 2015

ACROSS THE LAKE



ACROSS THE LAKE II
8" X 8" Deep Wrap Canvas



Moonlight on the lake. Lovely shades of teal and prussian blue with moonbeams hitting the silent lake. Perhaps not a common sight to most visitors that have been out boating all day and are probably tucked up in their hotel rooms at this time. This is when peace comes to the valley and the locals go out to enjoy the cool night.

This was painted during the 30 paintings in 30 days challenge, but I didn't get a chance to post it.


Friday, 9 October 2015

LAKE MONSTERS DON'T EXIST - FINDING OGOPOGO


LAKE MONSTERS DON'T EXIST
FINDING OGOPOGO
8" X 8" Deep Wrap Canvas



The double title is because I just can't decide. The first is more generic and the second is the local lake monster. The painting was created for a juried submission to the local international airport gift shop and is probably more likely to be accepted with a local name. What is your opinion? Please leave a comment.

There is a secret Ogopogo on the side.

This is the final painting in 30 paintings in 30 days, painted last month but not posted at the time.

Thursday, 8 October 2015

MEMORIAL PET PORTRAIT PROGRESS SHOTS - SESHA

SESHA
by Sea Dean
8" x 6" Strathmore Windpower
SOLD

This is a commission memorial pet portrait. Sesha passed recently and her owner misses her furry presence. She used to love to sit near the heater in the bathroom on her peachy coloured blanket, so I incorporated the colour in the background. When her owner walked into the bathroom to find her she always had a guilty look as if she had been stealing a nap on duty.

Once the owner has approved the portrait I will add some of Seshas ashes to the fur to make a special memorial to a much loved puss.

If you've lost a much loved companion I would be happy to do the same thing for you. My Memorial Portraits start at $105 for an 8" x 6" U Frame it painting. I can also mat and frame if you prefer.


Wednesday, 7 October 2015

GLOW IN THE GRASSES - SILENT AUCTION


SILENT AUCTION

My popular silent auction is back for the holiday season.

There are over 40 paintings in the Silent Auction. See them all here. Bid privately by clicking on the email button at the top of the page. Or leave a comment here. Bidding is in $5 increments but you can bid as high as you choose. Low bids sometimes spark a bidding war and higher bids may discourage competition. You may bid on as many pieces and as often as you choose. Please include the name of the painting you are bidding on and your email address.

The auction runs till midnight PST 30th November 2015. Bidding is available online and at all my seasonal shows. I will try to keep you informed, but you may email me any time to ask for your current standing or increase your bid.

You will be contacted if you win. Auction prices are for pick up in Kelowna, BC. Canada. If you would like your painting shipped I'm happy to do so at cost. Cash or Paypal. 

LOT 6
GLOW IN THE GRASSES
(above)
8" x 10" Canvas Panel

Current Bid $20
Bidding in increments of $5