Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Monday, 14 April 2014

ANGEL FACE - MINI MASTER SERIES - FAMOUS ARTISTS BIRTHDAY - LEONARDO DA VINCI - BLOOD MOON ECLIPSE - DPW PICK OF THE DAY

"Nothing is more apt to deceive us than our own judgement of our work. We derive more benefit from having our faults pointed out by our enemies than from hearing the opinions of friends."
Leonardo da Vinci
ANGEL FACE
4" x 4" on Gallery Canvas
ORIGINAL PAINTING BY SEA DEAN
MINI MASTER SERIES
Homage to Famous Artists on their birthday

To view my Gallery or purchase this painting please visit Daily Paintworks. Larger originals or prints may be available by contacting me.

Leonardo is famous for his subtle gradations, especially around the corners of the mouth and eyes, making his subject appear alive. When I saw this drawing of a young woman (probably a study for the madonna), I just knew I had to try and capture her sweet smile. It's quite intimidating to copy the great master, but I learned a lot. Perhaps one day I will attempt the Mona Lisa. 

Not only is it the most famous Master's birthday, but there is a BLOOD MOON lunar eclipse tonight. See about the lunar eclipse here
 ( a few details to adjust on the angel, but I didn't want to miss publishing time)
 

LEONARDO DA VINCI

Born 15 April 1452, Leonardo di ser Piero da Vinci was an Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. (And I think my talents are rather scattered). Born out of wedlock to a notary, Piero da Vinci and a peasant woman, Caterina, in Vinci region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in service to Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice and he spent his last years in France at the home given him by King Francis I who was in awe of the old master.
 
His genius, perhaps more than that of any other figure, epitomized the Renaissance ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.

Leonardo is revered for his technological ingenuity. He conceptualized flying machines, a tank, concentrated solar power, an adding machine, and the double hull, also outlining a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or were even feasible during his lifetime, but some of his smaller inventions, such as an automated bobbin winder and a machine for testing the tensile strength of wire, entered the world of manufacturing unheralded. He made important discoveries in anatomy, civil engineering, optics, and hydrodynamics, but he did not publish his findings and they had no direct influence on later science.

Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo's drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Only fifteen of his paintings survive because of his constant and frequently disastrous, experimentation with new techniques and his chronic procrastination. Nevertheless, these few works, together with his notebooks, which contain drawings, scientific diagrams and his thoughts on the nature of painting, compose a contribution to later generations of artists rivaled only by that of his contemporary, Michelangelo.

According to art historian Helen Gardner, the scope and depth of his interests were without precedent and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci states that while there is much speculation about Leonardo, his vision of the world is essentially logical and the empirical methods he employed were not mysterious, merely unusual for his time.

He died 2 May 1519.


Cat # 14073 Angel Face

Wednesday, 5 March 2014

FAMOUS ARTISTS BIRTHDAY - MINI MASTER SERIES - MICHELANGELO DI LODOVICO BUONARROTI SIMONI

 

THE FINGER OF GOD
MINI MASTER 4" x 4" on canvas panel
Homage to a Famous Artist on their birthday
PROFESSIONAL ACRYLIC PAINTING BY SEA DEAN

To view my Gallery or purchase this painting please visit Daily Paintworks. Larger originals or prints may be available by contacting me.

I don't follow the masters in order to create an exact duplicate, there are many factories in Asia churning out that kind of thing, so why bother? I am an investigative painter. I examine exactly how the brush strokes were laid down, the thickness of the paint and the translucency. I study the way the master has treated light and what colour palette was used. It is always a fascinating experience. Here, I wanted my MINI MASTER to appear as it did when the master completed the work, not as it looks today, cracked and retouched.

When Michelangelo painted the original, it was painted right into wet plaster. A lot of the time he was laying on his back under the ceiling in cramped space, or working with his arms stretched above his head, causing his heart to work overtime supplying blood to his fingers. It wasn't only uncomfortable, but restricting, causing numb fingers, neck and back pain and it must have been unbearably hot and stuffy. It was a large and lucrative project, but Michelangelo tried to quit many times and he was very unhappy. As an artist I know how emotion can influence my work and I'm sure it had it's effect on the Sistine Chapel. 

I am out of my studio currently and not in control of my environment. While I was painting this MINI MASTER, the acrylics were drying fast, so creating a sweeping line was difficult. As I peered at the original master brushstrokes, I noticed that much of the shading was dabbed rather than stroked, I also discovered that it was easier to paint short narrow lines in thinner paint and layer as necessary, just like I see in the original. When I copied these techniques things went easier. As Michelangelo painted, the drying plaster sucked the moisture out of his paint and similarly, as I was painting, heat was doing the same thing to my paint, creating a similar effect. 

Another thing I discovered is that the hands used as a model for Adam and God were very distinctive and it occurred to me that Michelangelo probably did what most artists do, and if they have a question about the way the light lies or the angle of a certain joint, they look at their own hand. I got the distinct feeling that I was copying the hand of the great master when I was painting Adam's hand. The slightly flared end to the thumb and the elegant finger tips, suggest to me the hands of a real artist. I felt a real affinity for the master.

What do you think?


MICHELANGELO di LODOVICO BUONARROTI SIMONI
(or as we know him Michelangelo)

Born 6 March 1475, Michelangelo was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his fellow Italian Leonardo da Vinci. He was a contemporary with the early Tudors in England but his influence harks back to classical art and architecture.

Michelangelo was considered one of the greatest artists of his time by his contemporaries. Because of the apprentice system at the time, artists developed at an early age, so, two of his best-known works, the Pietà and David, were sculpted before he turned thirty. His life was long and highly productive in many fields, although he is best known for painting the ceiling of the Cistine Chapel in Italy.

He was the first Western artist whose biography was published during his lifetime; in fact there were two. He was also often called Il Divino ("the divine one"). He created a sense of awe-inspiring grandeur and it was the attempts to imitate Michelangelo's impassioned style that resulted in Mannerism, the next major movement in Western art after the High Renaissance.

2014 was the 450th anniversary of his death 18th February 1564 and it is marked by many important exhibitions.


Cat 14049 The Finger of God

Wednesday, 7 August 2013

CONTEMPLATION ACEO - TAKE A STEP BACK - LEARNING TO EVALUATE

SCAN OF PAINTING
CONTEMPLATION
ORIGINAL ACEO BY SEA DEAN
3.5" x 2.5"

This original painting is SOLD but I'm happy to take a commission for a similar original work of any size. Contact me to inquire about prints and Art cards.
To view my Gallery please visit Daily Paintworks. You may also view ALL my available ACEO in my Facebook Gallery here.


PHOTO OF PAINTING UNDER HALOGEN
PHOTO OF PAINTING IN NATURAL MORNING LIGHT




























When I finished this painting last night it was after midnight and photographing at that time of day is challenging. The photo above was taken under halogen light. This morning I completed a scan which shows the colour more accurately, although some of the warmth is missing.

This was another painting taken from Leslie Saeta's trip to Italy. It was a collection of women, but I chose to depict only one. She reminded me of a native American possibly from the Navaho tribe, and as I love that part of the world I was really drawn to paint her. I wanted to keep the background neutral and had the hardest time stopping myself from filling the space. :o)

TAKE A STEP BACK

Learning how to evaluate your own work is a crucial step in the painting process. This is also important information for the Art purchaser. There are several things you can do which allow you to gain perspective when you're painting.

1. The most important is stepping back from your work. Stepping back allows you to see the painting from the angle of a buyer and it's surprising how different things look.

2. Squint. Squinting allows you to see the major parts without interference of detail. It shows up values, rather than colour, composition, white space, leading lines and common errors like things being too close to the edge.

3. Hold your painting up to a mirror. - Wow! This allows another perspective and often shows up major problems.

4. Turn your painting upside down or on it's side.

5. Photograph the work and look at it in the thumbnail version. A great painting will look great no matter what size you view it in. This technique often shows up lack of variety in value and as the internet is a common way for buyers to shop, it shows their first impression of a painting.

6. Convert your photograph to black and white to get a really good look at the values and composition without being swayed by colour.

Did I miss anything which you find valuable? 


Cat 13193 - Contemplation

Sunday, 4 August 2013

ART STUDIO on Windpower



ART STUDIO ORIGINAL BY SEA DEAN
8" x 6" on Windpower
On Auction at Daily Paintworks

To view my Gallery or purchase this painting please visit Daily Paintworks. Larger originals in the same series or prints may be available by contacting me. 


REFERENCE PHOTO
And this is the Studio Gallery I spoke of yesterday. Many artists imagine a place like this to work, exhibit and hold classes. This lucky person in Florence Italy achieved their dream. I can't resist going inside. How about you?



Cat 13191 Art Studio

Saturday, 3 August 2013

TOWN HOME on Windpower

TOWN HOME
ORIGINAL BY SEA DEAN
8" x 6" on Windpower
On Auction at Daily Paintworks

To view my Gallery or purchase this painting please visit Daily Paintworks. Larger originals in the same series or prints may be available by contacting me. 



Don't you just love it. I do! 

I wander the old quarter, shopping in boutiques, tasting gellato and sipping strong coffee in the piazza. My elegant townhouse is nearby, steps from the city gallery. Time for a siesta in the cool room above with Juliette balcony. The gauze curtains gently stir as a summery breeze wafts through the louvres. The traffic beeps and hums, as in the distance ancient bells chime the hour. Ah Milano! 





Cat 13189 Town Home