Showing posts with label Acrylic. Show all posts
Showing posts with label Acrylic. Show all posts

Tuesday, 7 April 2020

Sheep in Pasture


I’m pleased to say that there are still people out there who are buying paintings. This ACEO has been quite popular on Artfinder, so I’m pleased it has finally sold. The next challenge is to get it to the customer through our mail system, over an only partially open border and into the buyers mail box. Things like that seemed simple a couple of months ago, but now, not so much.

I don’t leave my condo these days and never go into shops, so I have to get creative. I had scheduled a grocery pick up on Thursday, so I can combine it with that, then I just need to find a post office that is still open and one without a lineup. Things have completely changed since I last went outside my little enclave, so it will be an adventure.

In the meantime here is the sweet little scene to say farewell before it heads out on its adventure.

Monday, 10 February 2020

DAY 11 of 30 - SNOWY OWL

I’m currently taking part in two challenges, The 30 Day Creative Gathering and the Opus Daily Practice. Its nice to be able to half the effort by using the same art.

I’ve been struggling a bit this weekend though. Saturday is my busy day and I like to relax a bit on Sundays, so working through the weekend is unsettling. I also seem to be fiddling around with quite a few pieces that are not co-operating. Nevertheless I did accomplish quite a lot.

SNOWY OWL by Sea Dean
This is a little Snowy Owl painting that I’ve had on the side for months. Today I finally took him to task. I love the cheeky little guy now. Sometimes I just have to keep working away at it layer after layer until I get the right look, and this is it. Owls of course come out at night, so getting just the right shade of blue and the right treatment of the stars took several goes. His eyes were also challenging, because I wanted them to glow, but the effect wasn’t happening. Perhaps he's just shy.

30DCG2020 - ODP

Friday, 12 April 2019

Lake Rondo

Lake Rondo 12” Round Canvas Panel - $125 USD
This was going to be an abstract, but adding the tree brought it back into the realm of landscape. The foreground and the tree have a lot of thick paint texture which serves to bring it forward to the feet of the viewer. The painting comes with a cord on the back to hang it. It is painted on 12” round canvas board and can be mounted or framed if you wish.


Saturday, 2 February 2019

Frida V - Going, going, GONE!

You have received the following message:
She LOVES it! Thank you so much for the beautiful piece. Now we just have to find the perfect spot!
;

It’s always so gratifying to receive a message like that. I think artists always want to keep on adding bits and correcting, so that a painting is never really finished in their eyes. Therefore it is important to let them know that you love your purchase, just the way it is. This happy customer did just that and it was a wonderful start to the day.

Stay tuned for Frida VI ......

Wednesday, 7 February 2018

Forest of Dreams - #30in30 - 8


This is a painting that has been on my tweak pile for some time. I’ve repainted it several times and never been completely happy. This time I decided I would take some of what I have learned from Bob Ross in the last week and give it another go. I’ve changed it so radically that I can call it a whole new painting.

When I do this with my older paintings they develop such great texture from all the layers of paint that people love them, so I hope someone will snap this up soon.


Posted today as #5 on 30 in 30 blog

Tuesday, 3 October 2017

I Won! I Won!


LIGHT AND SHADOW
24” x 36” Deep Gallery Wrap



Seriously, my biggest fan without a doubt is Sheila Delgado. Every day she leaves a comment on my blog and it’s not just “Love it”, it’s a carefully thought out and informed critique. An artist is often too involved with their work to be impartial and this feedback and support has been invaluable as I move into the next stage of my art career.

I also love following Sheila, who is taking a completely different course with her art, producing amazing fresh watercolors for her print on demand sites. During September, we have been both been working hard alongside hundreds of worldwide Artists, producing a new painting each day and Sheila wrapped up her month with a fabulous collage blog that’s well worth a visit here. She really raised the bar on this one. While there, click through to Society 6 and view her huge collection of home decor and useful personal items.

To top it up I was one of her blog supporters that won an original bookmark. Yay!


I fell in love with Sheila’s painting “Mirage” during the challenge and it is one of the chosen four to become bookmarks. I love the palette and one morning I was enjoying “Light and Shadow” which hangs on my bedroom wall while it awaits it’s forever owner and I realized that it’s the same combination of colors. It is an early painting, but I still love it’s simplicity, so I thought you would enjoy a look.

Friday, 16 June 2017

20 Minute Painting - Lake Breeze


LAKE BREEZE
16" x 20" approx.
Flat Canvas with about 1.5 inch border for framing or mounting
Price on Request

This is the first painting in a new series inspired by my participation in Art Battle. In Art Battle you are only given 20 minutes to complete an 18" x 24" painting, in a boiler room competitive environment. You must start with a blank canvas, use only 11 acrylic paint colors (see list), no medium, gel, or additives and use only brushes and non mechanical tools. You are not even allowed a water spray bottle.

Allowed Colors

Titanim White
Unbleached Titanium
Burnt Sienna
Burnt Umber
Black
Bright Yellow
Bright Orange
Bright Red
Phthalo Green
Pthalo Blue
light Cyan

I found that the limited palette and timing forced me to make quick decisions about color mixes. I worked with a bigger brush and stood a t an easel to give myself freedom of movement. The larger canvas forced me to move faster with sweeping strokes. Standing made it easier to step back and gain perspective. The result was a fresh and impulsive painting that embodied everything I've learned in my painting career.

The new series builds upon the Art Battle concept to produce a more finished and saleable work. Painting fast means sometimes little mistakes happen and places are left bare in error. Therefore this new series allows 20 mins for the initial painting with an extra 10 mins for adjustments after allowing the paint to settle and any errors to emerge. I also don't want to build up an inventory of large paintings, so I will probably paint a bit smaller and likely on unstretched canvas which is easier to store.

I'm not sure how often I will create one of these paintings, or as yet what I will name the series, however, it will be at least one a month. If you have an idea for naming the series please leave me a comment.

Sunday, 30 April 2017

Acrylics - How to mix maximum color with minimum cost


COLOR MIXING GUIDE - GOLDEN APPLICATION INFORMATION SHEET

Like all good things I came across this information by accident. I wish I had found it when I first started painting with acrylics, but I'm glad I have it now. I advise bookmarking this page and working your way through it at your own pace. There is a lot of advanced information which will make more sense as you gain experience.

Golden is an amazing family run business that offers experimental residencies to professional artists, so they are very cutting edge with their products. The company structure means they can bring new concepts and products to the market place in a very short period of time.

With Plein Aire season fast approaching I highly recommend trying Golden Open products. For Plein Aire I almost exclusively use Golden Open and Atelier Interactive.

Image copyright Sea Dean

Wednesday, 15 March 2017

Free Classes - Birches Tweak

BIRCHES After
We have an art supply shop in our area called Opus, which rather cleverly give free demos and short workshops every weekend. They offer 10% discount, store wide, to attendees, so most artist grab a few recommended supplies. Many local artists attend the demos purely for the discount. It is also a social occasion for artists that are glued to their studio during the week. I'm sure with a bit of research you will find something similar in your area.

OPUS

I often attend these gatherings, sometimes because I'm interested in seeing a well known artist work, sometimes to get the discount and others just to force myself to put down the paintbrushes for a couple of hours.

Today I attended a short class on how to prepare for an artists demo. Cool! I've done a lot of public speaking and teaching in my life, but I thought I would pick up a few tips. Why I really went was because I went to a demo by the same artist a couple of months ago and I love her work.

Of course I always get fired up by ideas and I came home today and quickly tweaked the painting on my easel. This painting was a bit of an experiment in 2015 and I just got it back from exhibition. When I saw it again I didn't like the color scheme and decided to put some violet hills in the background for depth and some darker leaves for contrast. Imagine my surprise when I walked into the class and at the front was a painting with conifers in front of Violet hills. No wonder I got fired up!

BIRCHES before



Friday, 24 February 2017

FAMOUS ARTIST BIRTHDAY - PIERRE AUGUSTE RENOIR - IMPRESSIONIST


I will probably be criticized for this, but Renoir is not one of my favourite painters. I can't quite put my finger on it, but his style seems a bit too sweet, perhaps reminiscent of the overly romantic Baroque style. Nonetheless, I did enjoy studying his style.

PIERRE AUGUSTE RENOIR

Born in Limoges, France, 25 February 1841

He was the son of poor tailor and at an early age he was sent to a porcelain factory to learn a trade. So he started work as a Limoges porcelain painter, and there may be Limoges plates or candy dishes out in the world that bear his brushwork.

As an artist, his early work was influenced by Gustav Courbet. He was freinds with Claude Monet, Alfred Sisley and Frederick Bazille and he even painted with Monet in Bougival in 1869. He exhibited alongside the Impressionists in 1874,1876, 1877 and 1882.

In 1870 Renoir became a Cuirassier in the Franco-Prussian War and perhaps that inspired a certain wander lust, because he painted in many locations including Bougival, Argenteuil, Cagnes, Algeria, and Italy. In 1888, he began spending his winters in the south of France.

HE EXHIBITED AT THE FIRST IMPRESSIONIST EXHIBITION

Died 3 December 1919 in Cagnes, France

Saturday, 20 August 2016

BACK TO WORK - SPARK


SPARK
by Sea Dean
24" x 24" x 15"
Acrylic and Metal
$350 

Will this reno ever end? A couple of weeks ago my closet railing decided to come loose and crash to the floor in the middle of the night loaded with clothes (probably too loaded). I've had "closet purge" on my list for a while, but the local consignment shop wasn't taking fall season till this week. I was going to time my purge to coincide but this certainly hurried me along. It took me a whole week to sort into Fall, Winter, Spring, Summer. I'm proud of myself, and the first batch was consigned yesterday. I also had a huge bag of dated things which I took to a charity store. I now have a fixed closet railing and a half empty closet where I can actually locate things to wear. Yay!

That isn't all I've been doing, I've been creating work for four submissions which I will share with you over the coming weeks. The first sculpture (above) was delivered for exhibition today: It wil be available for purchase 24th Sept and can be reserved by contacting me through this blog. I was working on some other ideas when this piece came together as if by magic. I call it "Spark", because it represents the spark of inspiration artists feel when they are on track. The exhibition is called "Art off the rails", and is the theme exhibition for the largest art show in the Okanagan, Art Walk. Thousands of visitors from around the province come to this important show, which spans a weekend, but the exhibition is nearly a month.

Art off the rails theme exhibition runs at Lake Country Art Gallery from 27th August to 24th September - gallery hours Wed - Sun 10am - 4pm.

Art Walk runs 10th - 11th September in the center of Lake Country, B.C. Canada

Monday, 6 June 2016

FAMOUS ARTIST BIRTHDAY - MAURICE CULLEN




I know it's the wrong time of year for snow scenes, but Maurice Cullen knew how to paint winter. I chose these because they show his mastery of colour, but his monotone winter landscapes are even better. Maurice Cullen is not a very well known name, but it should be. I'm awestruck by his sense of composition and treatment of paint. As a landscape painter, I can attest to how difficult it is to create a painting with such likeability. Here is my homage to a snow king on his birthday.


To view my Gallery please visit Daily Paintworks.


MAURICE CULLEN

Maurice Galbraith Cullen (1866–1934) was a Canadian landscape artist born June 6, 1866 in St. John's, Newfoundland. Although he was born in Newfoundland, the family moved to Montreal, Quebec when he was four years old. When he was 22 he traveled to Paris to study painting, where he fell under the influence of the impressionists. 

Later on, he served with Canadian forces in the First World War, where he came to the attention of Lord Beaverbrook, who arranged for a commission as an official war artist. He therefore joined the ranks of great war artists, alongside Frederick Varley, J.W. Beatty and C.W. Simpson.

Maurice Cullen returned from the war and lived out his life in Quebec, passing away March 28, 1934, at Chambly, Québec.

Sunday, 1 May 2016

NEW PAINTINGS and A BIG SUBMISSION

BLACK MOUNTAIN VISTA 10" x 10" - On Hold
I thought you would like to see my latest landscapes. These are part of my 10 painting submission for Skyway at Kelowna Airport which went in today. The jury process takes about 6 weeks. If you make it through the jury process, the paintings are exclusive to the shop until sold or returned, which is anything up to six months later. Therefore, once submitted I effectively cannot sell these paintings except via Skyway.

OGOPOGOS ISLAND 8" x 10" On Hold
This island is really called Rattlesnake Island and is about half way down the 80 mile long Okanagan Lake. This central location is probably the reason that legend has it Ogopogo lives in a cave under the island. I've often seen strange currents in this area which seem to come out of nowhere, so perhaps it's Ogopogo going for a swim.

OKANAGAN SAIL 8" x 8" On Hold
I went for a drive with a friend to pick up some paintings from an exhibition. On the way I took over 400 images and some were of this sail boat. I used to love sailing, but now I don't know anyone with a boat. I must admit I would love to be out on the water in this one.

OKANAGAN SUNSET 8" x 10" On Hold
Similar to another painting from a couple of weeks ago. I wanted to work on the effect of a sunset sky and reflection on water. I love the way the hills look in this painting.

TERRACE MOUNTAIN 10" x 8" On Hold
The snowy peak right at the top of this painting is Terrace Mountain. It's a lot bigger and taller than it looks, but the lower hills surround and almost cover it most of the time. The mountain has a flat top which makes it quite distinctive. This was from an image I took in early spring, most of the snow has gone now.

Friday, 22 April 2016

FAMOUS ARTISTS BIRTHDAY - WILLIAM TURNER

Turner selfportrait.jpg
JOSEPH MALLORD (after his maternal uncle) WILLIAM TURNER

Born in London 23 April 1775. His father was a barber/wig maker., and sold his early paintings in his shop for a few shillings: He boasted that one day his son would become an artist.

Turner is a challenge to categorize because he was a water-colorist, an oil painter and a print-maker. He also sketched in a small book and painted from the graphite drawings in his studio. As he matured his work became increasingly impressionist and abstract, using techniques far ahead of his time.

Above all Turner is remembered for his stunning treatment of light. To Turner, light was the physical embodiment of God's spirit and so his later work shunned objectivity and concentrated on the play of light on water, the radiance of the sky and glow of flame. Although these late paintings appear 'impressionistic', Turner was striving to express spirituality rather than optical phenomena.

His distinctive style of painting, used watercolor technique with oil paint, creating lightness, fluency, and ephemeral atmospheric effects. In his later years he used oil even more transparently and turned to an evocation of almost pure light by the use of shimmering color. A prime example is Rain, Steam and Speed - The Great Western Railway, where objects are barely recognizable. The intensity of hue and interest in evanescent light, put Turner's work at the forefront of English painting and influenced the Impressionists, particularly Claude Monet, who carefully studied his techniques.

At 14 he studied at the Royal Academy of Art and developed a keen interest in architecture, but he was advised to focus on painting. At 15, A View of the Archbishop's Palace, Lambeth, his first serious water-color, was accepted into the Royal Academy summer exhibition and in 1796 the academy showed his first oil painting, Fishermen at Sea. In 1800 Turner preferred historical subjects, but moved on to the Romantic/Poetic genre.

Turner's major venture into printmaking was the Liber Studiorum (Book of Studies), seventy prints that he worked on from 1806 to 1819. Loosely based on Claude Lorrain's Liber Veritatis (Book of Truth), the plates were intended for wide distribution. This series categorized Landscapes into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral. Printmaking became a major part of Turner's work and in 1974, Douglass Montrose-Graem founded the Turner Museum in Sarasota, Florida focused on this aspect of Turner's work.

Throughout his life, Turner was a controversial figure. He never married, but he fathered children with one of his mistresses. Turner died in the house of Sophia Caroline Booth in Cheyne Walk in Chelsea on 19 December 1851. It is  said his last words were "The sun is God".
(largely abridged from Wikepedia)

Sunday, 20 March 2016

BORDERS - ART IN CANADA - THE AUTOMATISTS


BORDERS by Sea Dean - 10" x 8" Gallery Wrap Canvas

The painting above was created by photographing the accidental marks on my painting desk, cropping an interesting section and copying the strokes onto a larger canvas. This method forces me to step back and allow chance to shine It gives me an opportunity to remove myself from structure and simply allow the color and brushwork to speak.

An observer may comment that there is no creativity in the work, but I would argue that it is the cropping of the original image that demands an artist's eye. This method makes the painting a great candidate for pairing with work of the Automatists below.



THE AUTOMATISTS OF MONTREAL

I discovered this old movie somewhere while I was looking for something else. It's quite an interesting look at art in Montreal, Canada about 60 years ago. This was at a time when abstract art was relatively rare and not well embraced by the general population. Montreal has always been one of the forerunners of avant garde thought in music and art, so I decided to give it a look.

Although quirky, I really enjoyed this old NFB documentary. Even today, Montreal is one of the few places in Canada that a man is likely to wear a suit for the sake of grooming and fashion, not because of convention

https://www.nfb.ca/film/artist_in_montreal


Saturday, 2 January 2016

30 PAINTINGS IN 30 DAYS - DAY 3 - MORPHO BUTTERFLY ON A TEACUP - Daily Paintworks Challenge




I've been hosting another Daily Paintworks challenge this week. There is still plenty of time to add your own painting and it's free.


Try as I might I couldn't create a good image of my painting. It's certainly not as blue as it appears on my screen.


The Tea Cup Challenge


No doubt you've seen many beautiful still life paintings of china cups on Daily Paintworks. I've always envied artists that can paint those dainty cups and make them even prettier. This challenge is about painting a simple china cup and saucer but make it your own. What could you do to make it even more special? This is your chance to get super creative and paint a still life masterpiece. You can make it into an abstract, change it's colour, add sparkles or remove the rose pattern. You are the master.

Some ideas
1. Add fruit
2. Add some steaming liquid
3. Add a flower
4. Add a butterfly
5. Add a cookie or cupcake
6. Change the colour of the background
Or???

You can use this image, search for another on morguefile or use your own. This image is from morgue file free photos http://morguefile.com.

If you have any ideas for future challenges, please let Carol know. (me@carolmarine.com) Thanks!

Stay tuned for more new paintings in the next 30 days.

If you are an artist and would like to join in, here is the link - 30 in 30
Posted as #107

Sunday, 8 November 2015

FLAMING SUNFLOWER



FLAMING SUNFLOWER
7" X 5" Canvas Panel



"Flaming Sunflower" depicts the last rays of the sun as it dips below the horizon. Or is it the petals of a glorious Sunflower? Perhaps it's a warm fire below roasting chestnuts. Sun, sunflower, flames, petals, rays, make of it what you will. Your vision is as valid as any I would suggest.

By the way, I won a lovely sunflower bookmark courtesy of Sheila Delgado and it has arrived in the mail. Now I have to work on my reading list for the next few months. Thank you Sheila.

See more of Sheilas work on her blog here.

Sunday, 18 October 2015

HOW DO I TELL IF A PAINTING IS OIL OR ACRYLIC?


Have you ever found an old painting in a junk shop and wondered if you can paint over it? I have. There are different ways to prepare a used canvas depending if the old paint is oil or acrylic and whether it has been finished with paintable or non-paintable varnish.

It's a time honoured tradition for the starving artist to use or reuse any surface available for their latest masterpiece, so here are some tips on determining the original medium.

1. If you are looking at a painting older than the first world war it is almost certainly oil. Acrylics didn't come into wide use until the latter half of the 20th century.

2. Does your painting have a dingy brown or yellowed look? If the painting is old this probably indicates varnish which is past its due date. Old oil paintings often hung in smokey, industrial, damp or hot areas which yellowed and cracked the varnish. Old varnish must be cleaned or removed before repainting. Sometimes you can strip smoke damage with damp cotton wool, but more often the old varnish needs to be removed completely or you will risk your painting peeling off as it dries and ages.

3. As they age oil paintings dry out and crack. A fine network of cracks all over the painting is a clear indication that you're looking at an oil painting. Dry acrylic paint is rubbery and smooth. As far as we know, acrylic paint doesn't crack with age or yellow with time.

4. Study the texture. Texture is difficult to achieve with unmodified acrylics. Acrylic paint shrinks and flattens as it dries. If gel or modelling paste is added it still doesn't look the same. Oil paint is naturally textured. Crisp brush strokes or thick texture, usually points towards oil paint.

5. Check the material on which the painting was created. Acrylic adheres to raw canvas and any porous or prepped non-porous base like glass. Oil paint degrades raw canvas so is generally used on gesso primed canvas. However, even acrylic artists often prefer primed canvas and some oil painters will paint on raw canvas regardless of the consequences.

6. Observe how the paint blends around the edges of objects. Oil paint dries slowly which allows the artist to go back over and blend. If you find soft edges in acrylic paintings they tend to be slightly stiff and forced. Acrylic paintings are more likely to have crisp edges around objects.

7. Note the quality of the color of the painting. Because oil blends easily the colors in oil paintings can be  murky, especially in the top layers. Acrylic paints retain a sharp, vibrant quality.

8. Although oil paint is often blended, if the artist wants to keep the colours separate it is much easier with oil. Acrylics tend to mingle with each other as they dry making it difficult to achieve a crisp colour separation within paint strokes. This is easier to see when the paint strokes are thick and buttery.

9. Think about the clarity of the paint. Oil tends to have a more translucent look allowing light to pass through to different layers below. Acrylics are often matt or opaque, absorbing rather than reflecting the light. Clever varnishing of acrylics can somewhat correct this but that is not common.


More about re-using canvases at another time.
Follow my blog so you don't miss my interesting tips and tricks.

Wednesday, 5 August 2015

SOUTHWEST

POWER AND MAJESTY by Sea Dean

VIew my online Gallery of large works and Limited Editions at ARTFINDER
View my online Gallery of small works at DAILY PAINTWORKS
Shop for Limited Edition ACEO and printed products here
Art Cards $5 and Art Postcards $3 here

POWER AND MAJESTY was painted for a Daily Paintworks challenge. The image reminds me of many happy trips to the magnificent Southwestern USA. It's a perfect place for artists.

Tuesday, 21 July 2015

FAMOUS ARTIST BIRTHDAY - EDWARD HOPPER - City Lights

NIGHTHAWKS by Edward Hopper
EDWARD HOPPER

Edward Hopper was born July 22, 1882. He was a prominent American Realist. While he was most popular for his oil paintings, he was equally proficient in watercolor and printmaking. 

He specialized in sparse but fascinating glimpses of urban and rural American life. It's hard not to like his work. There is something haunting and mesmerizing about the simple lines and warm colours. Ordinary people going about their ordinary lives without romance or horror. People just like you and I.

Hopper had a long and productive life, passing away May 15, 1967

CITY LIGHTS

As much as I would love to paint like him, I don't think there is anything similar to Hoppers in my work. This Cityscape at least shows contemporary American Life in warm afternoon light. I like this painting a lot. It is painted in watery acrylics and ink on Canson Arches board. Available at Daily Paintworks.

CITY LIGHTS by Sea Dean
VIew my online Gallery of large works and Limited Editions at ARTFINDER
View my online Gallery of small works at DAILY PAINTWORKS
Shop for Limited Edition ACEO and printed products here
Art Cards $5 and Art Postcards $3 here