Showing posts with label oil. Show all posts
Showing posts with label oil. Show all posts

Friday, 17 August 2018

Sea Dean Solo 2018 - Lake Country Coffee House

Sea Dean Annual Solo
18 August - 15 September 2018

Lake Country Coffee House
10356 Bottom Wood Lake Road (Next to Lake Country Art Gallery)
Lake Country BC Canada

7am - 4pm Daily (8am Sundays)
Sea will be on site during Art Walk 8 and 9 September


I’ve been going at break neck speed to get ready for this exhibition. Almost every piece is new, and this year I have many large works including Oil, Acrylic, Mixed Media, Digital and 3D. I will be available all weekend during Art Walk, so you can ask about the inspiration for your favorite pieces. And if the weather co-operates I may even be giving some demos. Drop in and meet the artist.


Friday, 28 October 2016

FAMOUS ARTIST BIRTHDAY - BOB ROSS



If you can't see this video, click here. 
The Joy of Painting (Full Episodes) 
http://www.youtube.com/watchv=oh5p5f5_-7A&list=PLAEQD0ULngi67rwmhrkNjMZKvyCReqDV4&sns=tw via @youtube

Bob Ross was born October 29, 1942. He has inspired generations of artists around the world and although he died July 4, 1995, more than 20 years ago, he still has a strong following for his syndicated TV programs and his YouTube presence. To many people he is the "Happy little cloud" man.

On researching this blog I found the gem above Season I Episode I of the Joy of Painting. A somewhat subdued Bob with extra facial hair, but just as fun to watch.

When I returned to painting several years ago, it was largely due to the influence of Bob Ross. After a series of personal losses I was deeply depressed and took to watching "The Joy of Painting" as a form of therapy. I never followed Bob's methods as a painter, but I did enjoy his shows and his witty banter. Below are a few nuggets of his easy wisdom.

“In painting, you have unlimited power. You have the ability to move mountains. You can bend rivers.”
"You need the dark in order to show the light.”
“Look around. Look at what we have. Beauty is everywhere — you only have to look to see it.”
“Trees cover up a multitude of sins.”
“They say everything looks better with odd numbers of things. But sometimes I put even numbers—just to upset the critics."
“How do you make a round circle with a square knife? That’s your challenge for the day.”
“The secret to doing anything is believing that you can do it. Anything that you believe you can do strong enough, you can do. Anything.”
“Water's like me. It's laaazy ... Boy, it always looks for the easiest way to do things”
“I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.”
“If I paint something, I don't want to have to explain what it is.”
“We artists are a different breed of people. We're a happy bunch.”
“We don't make mistakes. We just have happy accidents.”
— From "The Joy of Painting" TV Show

Tuesday, 16 February 2016

FROM MOUNTAIN TO OCEAN IN SIX STEPS

This is a commission to change an unwanted large oil painting with a nice frame, to an ocean painting with lots of waves that would be more to the patron's taste. First I showed her some of my previous works. This is where a smart phone or tablet comes in handy.




Next I painted a preliminary 8" x 10" panel. The client wanted to hang the painting in her bedroom as soon as it was complete so I wanted to test some quick dry I was unfamiliar with. I was also new to the brand of paint available in the vicinity and wanted to see how it worked when mixed with the Japan Dryer.



I liked the impasto effect in this sample painting but I prefer more color peeking through from under-painting. As the painting I was over-painting was mainly orange, I thought I would try and retain some of it. The quick dry product worked well, but was quite smelly. So back to the store I went and found some Daler Rowney Alkalyd Gel which had great texture, was less smelly and dried the thick impasto very quickly.




Image I - The original painting, a drip painting with a black hump and too much orange for the client's taste.

Image 2 - Shows my start. A friend gave me the tip to put some gel on top of the old painting to help the new oil paint adhere and this seemed to work really well. Here I was erasing the distracting hump. I also added a few wispy clouds to see the effect.

Image 3 - To hide the drips, I painted Titanium White over them and softened the edges so I didn't have a problem with ridges later. White is a good opaque choice for coverage when you don't have access to under-painting white or gesso. I also added a few more clouds.

Image 4 - I've added foreground waves leaving some glints of orange. I told the client I could paint over these later if she didn't like them. (She was sitting on the sofa watching the process).

Image 5 - Most of the black has been painted over and some cool blue added  to suggest distant breakers or ocean current. I have also softened the horizon with some paler blue.

Image 6 - The client said she liked the orange glints so I added some in my own brushstrokes. I have also added in some brushy sky to blend the style across the painting. I've blended edges, added some impasto and softened the orange sandy bits.

More detail and the finished painting tomorrow.

Monday, 1 February 2016

OCEAN BLUE - DRYING AN OIL PAINTING QUICKLY

 

OCEAN BLUE
8" x 10" Canvas Panel
Oil
Sized to fit a standard frame



A preliminary painting for a larger work. I said I was going to wait for the next Leslie Saeta challenge to get back into oil painting, but I have been asked to paint over a large oil painting with an ocean scene and that means painting in oil. I'm never afraid to take up a challenge, but I do like to be prepared hence a few scenes to use as examples before I tackle the larger piece.

I've used traditional oils which dry faster than water soluble ones. I was concerned about drying time, so Cyber friend and oil painter, Marion Hedger, instructed me to use Winsor and Newton Liquin or Impasto Liquin, mixed into the paint. Marion advised me to thinly coat Liquin over the seasoned painting first, to give more slip and better adherence.

I was unable to obtain either Liquin product, so I'm trialing a similar product by Grumbacher called Japan Dryer. As this is a small painting, I lightly coated the primed panel with Japan as a base and it seemed to work well. Japan has a fairly strong odor and their are warnings on the label, so I'm keeping the painting separate from the rest of the home until it abates.

I've been told that a hair dryer on low speeds the process but Japan is heat sensitive and can yellow, so I'm steering clear of that. There is another product I would like to try called, Krylon Quick Dry, which you can spray between layers and as a final coat. I will trial this later.


Available for purchase. Ready to ship 16th March 2016

Sunday, 29 November 2015

FAMOUS ARTIST BIRTHDAY - WINSTON CHURCHILL THE ARTIST

The Tower of Katoubia Mosque by Winston Churchill - a gift to President Rooseveldt
30 November 1874 – 24 January 1965

Winston Churchill was much more than a famous statesman, he loved travel, especially with his extended family, and he loved to paint. His chosen medium was oil and some of his work is quite spectacular. His favourite locations were Morocco and the South of France as can be seen from the two paintings I have chosen.

It's very interesting to see the difference in the treatment of light between these two paintings. The south of France and Morocco are across the Mediterranean from each other, but the atmospheric conditions are so different that they shatter similar sunlight in different ways. The desert conditions create crisper and more colourful shadows, while the dramatic tree shadows in the second painting, although darker, are more grey. The clouds also give an idea of the weather with the French clouds being softer and the Moroccan ones sparse and outlined against the bluer sky.

Click here for a wonderful article on Winston Churchills love of painting.

A Distant View of a Town in the South of France by Winston Churchill

ANCIENT HILL - Sea Dean


My painting of a vineyard near where I live, shows similar colour to those chosen by Winston Churchill for the south of France. Our climate however, is probably closer to that of Morocco and unless the land is irrigated our hills are covered in dry grassland and conifer trees as seen on the distant hill. Luckily we have plenty of water in our large local lakes, so irrigation is relatively simple.

This painting is on exhibit at the Lake Country Art Gallery Under 100 Exhibition. However, if you love it, contact me; I will check availability with the gallery and send it to you for $100 plus shipping. The public gallery needs all the support they can get, so I honour their commission if sold before the end of the show.

Sunday, 18 October 2015

HOW DO I TELL IF A PAINTING IS OIL OR ACRYLIC?


Have you ever found an old painting in a junk shop and wondered if you can paint over it? I have. There are different ways to prepare a used canvas depending if the old paint is oil or acrylic and whether it has been finished with paintable or non-paintable varnish.

It's a time honoured tradition for the starving artist to use or reuse any surface available for their latest masterpiece, so here are some tips on determining the original medium.

1. If you are looking at a painting older than the first world war it is almost certainly oil. Acrylics didn't come into wide use until the latter half of the 20th century.

2. Does your painting have a dingy brown or yellowed look? If the painting is old this probably indicates varnish which is past its due date. Old oil paintings often hung in smokey, industrial, damp or hot areas which yellowed and cracked the varnish. Old varnish must be cleaned or removed before repainting. Sometimes you can strip smoke damage with damp cotton wool, but more often the old varnish needs to be removed completely or you will risk your painting peeling off as it dries and ages.

3. As they age oil paintings dry out and crack. A fine network of cracks all over the painting is a clear indication that you're looking at an oil painting. Dry acrylic paint is rubbery and smooth. As far as we know, acrylic paint doesn't crack with age or yellow with time.

4. Study the texture. Texture is difficult to achieve with unmodified acrylics. Acrylic paint shrinks and flattens as it dries. If gel or modelling paste is added it still doesn't look the same. Oil paint is naturally textured. Crisp brush strokes or thick texture, usually points towards oil paint.

5. Check the material on which the painting was created. Acrylic adheres to raw canvas and any porous or prepped non-porous base like glass. Oil paint degrades raw canvas so is generally used on gesso primed canvas. However, even acrylic artists often prefer primed canvas and some oil painters will paint on raw canvas regardless of the consequences.

6. Observe how the paint blends around the edges of objects. Oil paint dries slowly which allows the artist to go back over and blend. If you find soft edges in acrylic paintings they tend to be slightly stiff and forced. Acrylic paintings are more likely to have crisp edges around objects.

7. Note the quality of the color of the painting. Because oil blends easily the colors in oil paintings can be  murky, especially in the top layers. Acrylic paints retain a sharp, vibrant quality.

8. Although oil paint is often blended, if the artist wants to keep the colours separate it is much easier with oil. Acrylics tend to mingle with each other as they dry making it difficult to achieve a crisp colour separation within paint strokes. This is easier to see when the paint strokes are thick and buttery.

9. Think about the clarity of the paint. Oil tends to have a more translucent look allowing light to pass through to different layers below. Acrylics are often matt or opaque, absorbing rather than reflecting the light. Clever varnishing of acrylics can somewhat correct this but that is not common.


More about re-using canvases at another time.
Follow my blog so you don't miss my interesting tips and tricks.

Friday, 8 May 2015

800th BLOG -"At the End of the Day" Oil painting CELEBRATION AUCTION


AT THE END OF THE DAY
by Sea Dean
16" x 12" Oil on Canvas Panel
click here for celebration auction starting at $88

View my online Gallery of originals here DAILY PAINTWORKS
Shop for Limited Edition ACEO here
Art Cards $5 and Art Postcards $3 here

My 800th Blog

It's hard to believe that 31 months ago I knew nothing about blogging and I timidly attempted my first daily painting and my first blog. I hadn't a clue what to do and found it all quite difficult, but like everything else I approached the research with gusto. 

There are so many things I still don't know, but I continue to learn and experiment and it has become an important part of my day. There is something very soothing about routine. They say it takes 14 days to create a habit, so I suppose that by now I'm well past the danger point. 

I think from a marketing point of view, it is better to blog less often, but I figure that those interested in me, and/or my work and my insights, will continue to receive the blog daily in their inbox. Others will glance at it occasionally via Twitter (@seadeanartist), my Sea Dean Paint a Masterpiece Facebook page, Google +, Networked Blogs or some other means.

So in celebration of the big 8, I'm auctioning off one of my rare oil paintings. 8 day auction starting at $88 and closing at 8pm PST.

This is larger than most of my daily works and took a lot longer than one day to complete. I was entranced by getting the look of the sandy beach just right, and the brightness of the sun peeping through the clouds. I will ship the painting to you unframed to save on your shipping costs. It is painted in oil on canvas panel and is ready to ship now. 


REF 0004 - At the End of the Day

Saturday, 7 February 2015

HAPPY BIRTHDAY FRANZ MARC

HORSE IN A LANDSCAPE AFTER FRANZ MARC by Sea Dean 12" x 16"

THE TIGER 1912 by Franz Marc

SUN GAZER by Sea Dean - ACEO






















MARC INSPIRED WORK by Sea Dean
"The Tiger" was the first Franz Marc painting that I explored in detail. I was just a teenager, and a few years later, I made a special trip to the Städtische Galerie im Lenbachhaus in Munich, Germany to see the original. I was awestruck by the size, 112cm x 85cm which is about 4 feet x 3 feet. My sketch was only 6" square in coloured pencil! It was then I decided that one day I would create colourful paintings with impact like Franz Marc.

I think what I like most about Marc's work is the stained glass effect and I've always had a passion for Gothic churches and the light seen through ornate windows.

I've painted HORSE IN A LANDSCAPE several times; the oil version above is currently on auction at Daily Paintworks here.

The Marc inspired ACEO, SUN GAZER, is currently showing at Ritchcraft Gallery in Kelowna and is also available here. The bronze/gold highlights make it challenging to capture, but it is fabulous in reality, and only $25 unframed and $35 framed.

Franz Marc was killed in action in the first world war less than a month after his 36th birthday.

See more on Franz Marc here.

Horse in a Landscape Ref 5030
Sun Gazer ACEO Ref 3011

Friday, 19 December 2014

PAINTINGS OF THE U100 SHOW - BIRCH FOREST OIL PAINTING

Birch Forest by Sea Dean - Oil
BIRCH FOREST
Oil on 6" x 8" Canvas Panel

Black Frame

A rare example of nice buttery impasto oil paint. This painting is on panel and is framed in a simple wide edge black frame. It's one of those paintings that you have to step back to truly appreciate.

A Daily Paintworks Pick of the Day 

View my online Gallery of originals please visit DAILY PAINTWORKS
Shop for Limited Edition ACEO here

Thursday, 23 October 2014

SILENT AUCTION LOT 23 DANCER IN AN ARM CHAIR BY LEILA WARD

View my online Gallery of originals please visit DAILY PAINTWORKSShop for Limited Edition ACEO here

LOT 23 DANCER IN AN ARM CHAIR
By LEILA WARD
Bid on my exclusive limited time SILENT AUCTION here


SILENT AUCTION INSTRUCTIONS
An auction collection of recent works by Sea Dean and others. 
How do I bid?

It's really very simple...

1. Visit the website, or come to one of my upcoming shows to view the lots.
2. Enjoy the work on offer (you can hover to see details or click to see a larger image with more details). Some is from my own hand and some is from my peer collection.
3. Choose which pieces you would like to bid on and click the link in details. 
4. The link creates an email so you can send me your bidding details.
5. As bids come in I update the website and my paper record to correspond.
6. On November 15th at midnight PST bidding ends. 
7. Winning bidders will receive an invoice from Paypal with the name of the work, your bid and shipping. Tax is included. Multiple items to the same bidder will be shipped together.
8. On payment your item(s) will be shipped within 3 days in plenty of time for holiday giving.

Monday, 5 May 2014

SUPER AUCTION - HENRI MATISSE - DANCER IN AN ARM CHAIR 1942 - Leila Ward

HENRI MATISSE - DANCER IN AN ARM CHAIR 1942 - Leila Ward - 16" x 20"  Oil on Gallery Wrap Canvas
DANCER IN AN ARM CHAIR 1942
ORIGINAL ACRYLIC ACEO PAINTING BY LEILA WARD
16" x 20" " x 7/8" on Canvas with painted sides

To view my Gallery or purchase this painting please visit Daily Paintworks. Larger originals or prints may be available by contacting me.

Today I'm diverging a bit. I'm in the process of rearranging my space in order to hang my own paintings and create a private gallery. In order to do so, I must resell some lovely works by other artists which I have collected over the years. I hope to pass these fine pieces on to someone who will really appreciate them and raise enough to support my local public gallery in the process.

This is a powerful painting in honour of HENRI MATISSE. Note that it is much larger than my regular daily paintings.

For sale by silent auction. Starting price $79
If you require shipping, I will do so at cost by whichever means you prefer.
Post your auction bid in the comments below


Alternately you can BUY NOW with nominal $20 shipping




Cat # 00010 HENRIE MATISSE - DANCER IN AN ARM CHAIR 1942 - Leila Ward